I don't normally post reviews on this blog, since they're more for my Rivershore Books one, but I enjoyed this book so much I wanted to share it here, too.
I approached this book with a little trepidation. Monster sounds like the title of a thriller—a genre I tend to avoid. The actual genre of this book is something like dystopian, realistic fiction, with perhaps a little science fiction. It’s difficult to place it, since I hadn’t read anything quite like it before.
Set in 2053, Neal paints a realistic (if undesirable) future. The story begins in a medical facility in Alaska, and follows a brilliant young scientist, Eva, as she receives a promotion in WorldCure and is given a chance to run tests and experiments on one of the facility’s subjects. Her goal, and the supposed goal of her employer, is to find cures for diseases. There are darker motivations at play, however.
For a book
that takes place in the future, Neal did a great job of keeping the
advancements (or regressions) believable. Nothing seemed too far-fetched, from
the technology to the declining morals.
Although it’s
not my favorite genre, I’ve read and seen enough futuristic fiction to know authors
are easily tempted to exaggerate some of the advancements we’ll have. For
example, the hover cars in Back to the
Future are supposed to be here in 2015. I suspect that after these next two
years pass, I’ll still be waiting for mine.
There wasn’t
anything like hovering cars in Monster.
The new technologies Neal introduced were very small, subtle differences from what
we currently have: things I can picture actually occurring in the next forty
years.
It wasn’t
the technology that drew me into the novel, though. There is a depth to her
characters that was immediately noticeable. She has a talent for observing
little but important details: those pieces of a person that give you a glimpse
into who they are. The way she captured the quirks, flaws, and beauty of the
characters was wonderful. I fell in love with her characters—Mir in particular—and
they kept my attention through all 400+ pages.
A little warning:
there are some violent parts throughout the book, and descriptions of
unpleasant medical procedures, mainly within the first half. The scenes
themselves are short, but for me they left a lasting impression.
Neal is skilled at descriptions. No matter where her characters went or what they were doing, I could clearly picture the scene. I have never been in a medical research facility (hospitals don’t count), but if I had any artistic talent, I could draw WorldCure. The way the scenes are painted gives the reader something to imagine without bogging us down with too many unimportant facts.
But arguably
the best part of the book—at least, the part that has me replaying it over
again in my mind days after I’ve reached “the end”—is the fact that the topics within
it are far from “fluff”. Monster brings
up deep, thoughtful subjects such as faith, humanity, and how to balance
scientific facts with improvable beliefs. Neal handles each one of these
excellently and naturally, with realistic discussions, mainly in the form of
debates between Eva and her professor friend and mentor, Pocky. None of it
seems forced, and none of it seems “preachy”.
Every once in a while, there comes a book that captures the reader so much, it stays with them long after they’ve put it down. These are rare, but wonderful. Monster is one of those books.
I was given a copy of this book in exchange for this unbiased review.
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